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Catherine Marks: What I want I’d identified


Producer, mixer and engineer Catherine Marks, who has labored within the business for over 17 years, not too long ago bought her first UK No.1 as a co-producer on the debut album from indie supergroup boygenius. She’s additionally labored on music from Wolf Alice, Alanis Morissette, St. Vincent, Foals and plenty extra…


The very first thing I want I’d identified at the start of my profession is to make your personal alternatives. After I was in my late teenagers, early 20s, I did some modelling and bear in mind considering that it’s as much as another person to inform me that I’m going to achieve success, somebody’s going to select you out of the hat and allow you to along with your profession.

However, really, it’s about making your personal alternatives, working onerous and having the fitting angle. Had I been extra acutely aware of that, I in all probability would have caught to my weapons a bit extra. When individuals have been telling me, ‘That is the way in which issues are’, I ought to have mentioned, ‘No, I’m going to discover all of those alternatives that I’ve’. There was a component of ready for the massive factor to come back alongside to assist create my success. 

After I was aiding, there can be lengthy chunks the place I wasn’t in session. I’d do writing classes as a substitute and was provided a publishing deal as a songwriter. Somebody mentioned, ‘No, you’re Flood’s assistant, that’s not your self-discipline, you’ll be able to’t discover that avenue’. I took heed of that and thought, maybe they’re proper, maybe I do have to deal with studying the craft of engineering and being a great assistant earlier than accepting these sorts of alternatives. 

I used to be 25 at that time and so model new to the business. I used to be studying the way it labored and didn’t have the boldness to say, ‘Really, that is one thing I wish to do’.

I usually look again on that and surprise if I missed a chance. It was on the time when there was a transition in the way in which the business was working; budgets have been getting smaller and the outlined roles of a producer, engineer and author have been being blurred. Usually, I’d be working with individuals who wore all these hats and I felt that was one thing I wanted to study, not simply the precise position of my mentor, who was a producer/engineer.

At the moment, I didn’t wish to step on anybody’s toes or appear overconfident. I’d usually play somewhat little bit of the bumbling fool as a way to not come throughout as being a specific approach. I by no means behaved like that with the boys I labored with and I feel that had loads to do with the tradition of girls within the business. 

There have been numerous feminine producer managers or songwriters and there was a tradition again then, round 2005, of girls not essentially supporting different girls and having to combat for his or her positions. I regressed and didn’t assert myself in the way in which I’d now, to make myself appear unthreatening. That tradition has modified drastically — there may be much more generosity, solidarity and help amongst different girls within the business.

Taking management of my profession got here with expertise and confidence. Finally, that is my enterprise and I’ve to face by my selections. It’s not about somebody telling me what I ought to do, it’s about taking recommendation and making an informed resolution on what I feel is finest for me.

The second factor I want I’d identified is that it’s not essentially concerning the accolades and No.1s; it’s about having fun with each day that you just stroll into the studio. There was an extended time frame in my profession the place I believed I used to be working in direction of one finish objective and there was numerous struggling and sacrifice that I went by way of as a way to obtain that.

“It’s not concerning the accolades and the No.1s; it’s about having fun with each day that you just stroll into the studio.”

After I first received Breakthrough Producer of the Yr on the Music Producers Guild Awards [2016], I had put myself by way of distress. I used to be working ridiculously lengthy hours, compromising my time, sanity and psychological well being. After I received that award, it felt wonderful, however I fell right into a deep despair for a month after. I couldn’t perceive why it didn’t do the factor that I believed it was going to do, which was to feed my soul. 

A superb pal of mine within the business, who could be very profitable, mentioned to me, ‘I had an analogous factor; after I made my first million and bought my first No.1, it didn’t do what I believed it might. I believed this was the explanation why we did all this stuff’.

It made me realise that after I stroll into the studio, I wish to just like the individuals I’m working with. I wish to really feel impressed, each day. I don’t wish to compromise any of these issues. We sacrifice loads — this isn’t a nine-to-five state of affairs, it’s very a lot a selected way of life. 

All my selections since then have been based mostly on, ‘Do I just like the folks that I’m working with? Do I just like the staff across the artist? Are we going to take pleasure in ourselves whereas we’re within the studio? Is that this one thing that’s going to be creatively difficult? Am I going to get one thing out of this?’ It’s not, ‘Is that this going to be a success?’ I’m not interested by these issues anymore. 

In 2021, I took 5 months out. When Australia went into lockdown, I didn’t work for 5 months. I did beautiful issues like going for walks, I learn hundreds, painted, did outside actions and performed board video games with my mum and pop. I do know that was a luxurious however I had labored so onerous for thus lengthy that I wanted to regroup and be impressed once more. 

I’ve had numerous durations in my profession the place even my supervisor has despatched me again residence to Australia for a while out, for psychological well being. I feel it’s necessary to have a re-set and know you don’t must be chasing every little thing. If I’m not in high kind, I really feel like I can’t ship for another person.

“I feel it’s necessary to have a re-set and know you don’t must be chasing every little thing.”

The opposite factor I want I’d identified is that your first work expertise within the business will usually be the worst. For those who don’t have any expertise, that first job can appear to be hell, maybe due to the way in which you’re handled and the way you’re adapting to the bizarre dynamics of the studio. 

After I began working within the studio, I’d given up a profession in structure the place I had a staff of people that I labored with, for and above; there was a degree of respect. I’d additionally simply carried out my grasp’s diploma. However I cherished music and was given the chance to work for Flood as an assistant to the assistant, so I took six months off to strive it.

I got here right into a state of affairs the place I used to be invisible, I used to be making tea. I had a persona, I used to be very eager and enthusiastic and wished to ask a great deal of questions, everybody does after they first begin working in a studio. 

It’s thrilling, however then it’s not, as a result of that’s not how you have to be. You could be quiet and observing, however always conscious and engaged. I had an eagerness to know every little thing without delay and wished too rapidly to be observed. I’d cry within the toilet each day as a result of I felt I used to be doing one thing flawed however didn’t know what it was. 

What I wanted to do was shut up and simply watch, however nobody articulated that to me. Nobody sat me down and mentioned, ‘Look, it’s actually inappropriate so that you can do that proper now. We completely perceive that you just’re actually eager however this isn’t why you’re right here. There are different issues we want you to do.’ I simply figured it out on my own. 

After I moved on to work with one other staff of individuals, I knew that after which felt good about it. It was acknowledged that I had the fitting angle and method and that allowed me to get extra duty and finally work my approach up. It’s okay to not know what you don’t know, simply be open to the expertise of gaining expertise. Even now, I take pleasure in the truth that there’s nonetheless a lot I’ve to study and I wish to study extra.

The ultimate factor I want I’d identified is to belief your instincts. Early on, if one thing didn’t really feel proper, I’d stick with it in that state of affairs as a result of I felt like I had an obligation to somebody. Now, if a mission doesn’t really feel proper, we’ve created a state of affairs the place we’re capable of check the waters. Even when it has the potential to be essentially the most profitable factor ever, I simply say, ‘I don’t suppose I’m proper for that’. That’s completely okay — I don’t must say sure to every little thing. 

I’d moderately take pleasure in my expertise each day, which isn’t to say that there aren’t some shitty days, after all. However I’m extra acutely aware of what my intestine is telling me now and I feel that comes from confidence and expertise.


This text initially appeared within the newest (Q2 2023) concern of MBW’s premium quarterly publication, Music Enterprise UK, which is out now.

MBUK is obtainable by way of an annual subscription by way of right here.

All bodily subscribers will obtain a complimentary digital version with every concern.

Music Enterprise Worldwide

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